Olympics marked a significant milestone in the effectiveness of 5G technologies for live broadcast, with Neutral Wireless and ...

The breakthrough in the making of Here was not the authenticity of a de-aged Tom Hanks, but that the face-swapping technique ...

Shinfield Studios’ joint Managing Directors Nick Smith and Ian Johnson are to retire from their positions at the end of the ...

BBC Sport and ITV have agreed a deal for live coverage of the FIFA World Cups in 2026 and 2030 across TV, audio and digital ...

The UK government has launched a consultation looking at how copyright-protected material can be used to train AI models.

News organisations face an increasing arms race against AI companies to protect the authenticity of the content reaching ...

Arte, the Franco-German public service broadcaster, has become the newest member of the European Broadcasting Union (EBU).

The Writers Guild of America (WGA) has called on Hollywood studios to “come off the sidelines” and prevent tech companies ...

In the final part of our investigation into MAM’s current and future relationship with AI, James McKeown analyses where the ...

For all the slippery perspectives in psychological thriller Disclaimer, the truth is lying in plain sight, explains Editor ...

Blackmagic Design has started taking pre-orders for its new Blackmagic URSA Cine Immersive camera, specifically designed to ...

Over the past decade, media companies had a strong focus on the way programmes were viewed – we’ve seen HD, 3D, 4k, 8k, HDR, VR, and AR presented as the next big thing. In 2024, things shifted.