Leigh Whannell's Wolf Man delivers a terrifying monster movie that also tells a tremendously tragic tale of generational trauma and violence.

Wolf Man is tense and fun in the moment, but it lacks the thematic clarity necessary to leave a strong impression after the credits roll.

It's a new year and time for the most recent crop of horror movies that are going to creep out fans and get them talking. The new Blumhouse film Wolf Man arrives in theaters on Friday, January 17th, 2025, and its box office numbers are already looking strong.

The reviews for Wolf Man may have been mixed, but there’s something about the Universal Monster movie’s eerie, forested New Zealand landscapes – often filmed at night and strikingly lit by Stefan Duscio’s cinematography – that conjures up the perfect mix of atmospheric and starkly beautiful on screen.

Timothée Chalamet’s global press tour for “A Complete Unknown” went viral when he rode an electric Lime bike into the London premiere of the acclaimed Bob Dylan movie. But it turns out, Chalamet did not park the bike properly, and he was met with a £65 fine, he revealed while promoting the movie in France …

Fans of “SCTV” may remember a “Monster Chiller Horror Theatre” episode in which Joe Flaherty’s late-night host, Count Floyd, mistakenly programs a made-up Ingmar Bergman film, “Whispers of the Wolf,” thinking it’s a simple werewolf picture instead of a moody,

Leigh Whannell did a brilliant job of modernizing "The Invisible Man," but werewolves prove much harder to tame.

In the summer of 2020, when a fresh iteration of The Wolf Man was first revealed to be in the works, the project didn’t have a director attached, but it did have a star lined up. While pitches were still being taken for who would helm the film,